Thursday, January 30, 2020

My Essays Essay Example for Free

My Essays Essay The following is an organizational announcement for Staples Advantage Corporate associates and  global Vice Presidents and above from   Tom Heisroth, SVP Staples Advantage Sales, and Steve Bussberg, SVP, Staples Advantage. To support Staples’ Reinvention efforts to turbocharge product-related services, we are excited to announce changes within our Staples Advantage Print business  that will increase efficiencies and reduce customer confusion around our offerings. Staples has unrivaled Print assets and we believe this reorganization will allow us to strengthen our position in the industry and become a true market leader. Jeff Crump,  VP/GM, Staples Print Solutions, will be responsible for Print operations, all aspects of Print field support, and ownership of the total Staples Advantage Print Pamp;L. Jeff will continue to report to Steve Bussberg. Geoff Eitland, Director, Procurement and Merchandising, will assume responsibility for all Print sourcing and vendor management. In addition, our customer implementation teams will now be centralized, with  Jamie Kapanka, Senior Manager, Sales Operations,  reporting into the Staples Advantage Print operations group. The following Associates will report to Jeff Crump: * Geoff Eitland, Director, Procurement and Merchandising * Jamie Kapanka, Senior Manager, Sales Operations * Gary Swanger, Director, Finance * Gretta Staskiewicz, Manager, Marketing * Jeffrey Holton, Director, Manufacturing * Lee Ann Holley,   Project Manager, New Business Development * Richard Campbell, Director, Integration Richard Martin, Director, Logistics * Robert Anderson-Ludrick, Director, PE Deployment Leader The Print sales teams led by  Millie Tarallo  and  Ralph Torres  will come together under the leadership of  Wayne Wilkinson, Vice President, Staples Advantage Sales, who is taking on a new role overseeing the Print and Vertical sales teams. Wayne will transition into his new role over the next few months and will con tinue to oversee the Central Region until further plans are announced. Wayne will continue to report to  Tom Heisroth, Senior Vice President, Staples Advantage Sales. Reporting to Wayne will be:   * Millie Tarallo, Area Vice President, Print * Ralph Torres, Area Vice President, Print * Susan Louis, Vice President, Healthcare * Judith Smith, Vice President, Federal Government * Jeremy Landis, Director, Vertical Markets Combining the Print sales teams under single leadership will increase sales productivity and uncover new sales and margin opportunities. At the same time, unifying the Vertical sales teams under Wayne will enable us to better focus on customers’ specialized needs in these segments. As previously announced, business development for Print has been unified under the leadership of  Kevin Moss, Vice President, Business Development and  Joe McDonald, Director, Business Development. This new structure and improved support capabilities will give our sales teams more time to sell, while providing our customers the seamless experience they expect. We look forward to transforming the Print business within Staples Advantage and driving meaningful growth for the company.

Wednesday, January 22, 2020

Infinity in a Moment :: English Literature Essays

Infinity in a Moment Dear Mel, I’ve finally come to a conclusion†¦the first in my life I think. I’m in love. What an annoying nothing†¦the word love. Undermined after years of unrepresented use and manipulative thought. Contemporary teens, playing with matches to start a fire that will only burn down their own foundations of security and ontology. It’s a card trick to them, after all they’re immortal, apprehensions are as pointless as relationships. Throwing around promises that should tear the doors of heaven apart revealing metaphors incapable of description, but instead suffocates in a beer glass. Love use to mean something. It still does for me, but for others it’s a cryptic dialogue, disguised for the mere purpose of placation. To reach that level of appeasement, to get her into your room or to that party or into that pathetic dream that was summoned from the filth of petulant, diseased weakness. Riches used to buy money less valuable. Absurd reality that tortures its puppets. It’s a momentary high that you inhale when unhappiness overcomes boredom: â€Å"I think I love that girl over there,† as he falls from the pinnacle of a drunken revelation. What does he think? Jesus Christ, what happened to that inexplicable emotion that could jump into a pregnant pool of chaos and bear harmony? I’m just rambling of course, because who wants to be told that their life is extravagant without love? Or can inf inity truly reside inside a moment’s establishment? The only light in breath becomes that crystal that reflects the only happiness. Pretty rock. The reason to brush your teeth, build materialism in a gym, make the field goal to win an A paper. So if she flies higher to a bird with brighter feathers do mine wither away? Our constructed bridge of self-image that chiseled a connection in her heart is burned, buried, and consumed by the soiling footsteps of the mass. Is my purpose forgotten, a blaring cacophony of everything worth living for now reduced to a mere whisper carried by a struggling wind? Life is so fickle. The purest form of logic in a wrapper of recycled tears. Smile. Click. Flash. Infinity in a moment impossible? Not when lost in her eyes. Oceans of polished perfection, dreams radiating in a sunset. Redundant? Or perhaps the point is still overlooked. Lips against cold glass only create steam until the reflection melts into my own and I feel for the first time the embrace of divine fulfillment: an ecstasy of climax in literature.

Tuesday, January 14, 2020

Henry Iv – Moral Centre

Hanh-Thy Chau 2M N. Wittlin February 25, 2003 ENG2DB-02 A Revision of Morality in Shakespeare’s Henry IV, Part One Who is the moral centre in Shakespeare’s Henry IV, Part one? This will ceaselessly be a question challenging the intentions of Shakespeare’s literature. However, [didn’t Wittlin say don’t start with however else its after a semi-colon] the question in this revision of morality in Shakespeare’s Henry IV, Part one is, is there even a moral center in Shakespeare’s Henry IV, Part one? Humanity is incapable of absolute goodness; therefore, there is no moral centre in Henry IV, Part one since the three major characters, King Henry, Prince Hal, and Sir John Falstaff, are all somewhat morally flawed. Shakespeare reveals the imperfection of human nature through the behaviour of his [these] characters. First of all, King Henry sets a presumed reputation as the religious, loved and strong leader of England in Henry IV, Part one for his subjects. However, his supposed virtues are only results of his concealed faults. Ironically, the King can be quite blasphemous, despicable, and pathetic. Throughout the play, Henry is evidently repenting for his conduct in his acquirement of the British thrown. This is shown in his belief of â€Å"whether God will have it so, /†¦To punish my [King Henry’s] mistreadings† (III. ii. 4-11) and that â€Å"God pardon† (III. iii. 29) Hal for his unpunished sins of his bad company. Furthermore, King Henry’s disgraceful conduct clearly reveals the false reception of love from his subjects. This is especially revealed in his relationship based on conditional love with Prince Hal. His opinion of Hal, which changed from a state of â€Å"riot and dishonour† (I. i. 4) to one of â€Å"charge and sovereign† (III. iii. 161), is only established on restricted affection and Hal’s social image, rather than a personal benevolence between parent and child. In addition, another of King Henry’s loathsome features is again shown through his attainment of the throne: deceitful behaviour. Furthermore, the King’s pathetic nature is revealed by his insecurity. The play begins with the King expressing his paranoid worries, being â€Å"so shaken† and â€Å"wan with care† (I. i. 1-2), accordingly presenting the audience with its first impression of the supposedly strong leader. King Henry deceitfully attempts to use the â€Å"chase† of the â€Å"pagans in these holy fields/†¦for our [England’s] advantage† (I. i. 24-27) to distract the â€Å"civil butchery† (I. i. 13) back home in England. Overall, the life events of King Henry IV’s does not present a very moral reputation for a man of worthy of such power and prestige. Secondly, Prince Hal clearly shows both positive aspects and negative aspects, as his character undergoes great change in Henry IV, Part one. Hal gives the audience the impression of his intentions to â€Å"throw off† (I. iii. 05) his uncouthly behaviour moral to please the King, the alleged victim in Henry IV, Part one. Hal believes he can â€Å"find pardon on† his â€Å"true submission† (III. ii. 28) by satisfy his father’s expectations for the throne’s heir and discard the values of his loving surrogate father, Falstaff. As revealed in the previous quotation of pard oned submission, one of Hal’s admirable aspects is his open ability to accept his faults; however, it seems his judgement regarding the class, justice, and honour system remains stereotyped by knightly tradition. Although Prince Hal’s resultant persona is traditionally considered positive, Hal’s most commonly shown qualities in the play are characterized as manipulative, superficial and unemotional, all of which further reveal his immoral faults. Hal’s manipulative nature is exposed throughout Henry IV, Part one. Prince Hal’s manipulative intelligence is first revealed in his soliloquy, where he vows to â€Å"falsify men’s hopes/ and†¦so offend to make offense a skill† (I. iii. 205-211). Hal’s aptitude for manipulating is further proven in his sudden abandonment of Falstaff and his low class company, as foreshadowed when Hal symbolically states that â€Å"by breaking through the foul and ugly mists†¦my [Hal’s] reformation†¦shall show more goodly† (I. ii. 196-). In this quote, the clouds represent Falstaff and company and the beauty in reference [to†¦] is the reformed Hal. An addition to Hal’s [im] amoral traits is his superficiality. Hal’s superficiality is shown in his judgement of physical image. This is shown in his constant vulgar references to Falstaff’s obesity: a â€Å"fat-witted with drinking of old sack† (I. ii. 2) and his abandonment of Falstaff’s role in his life after his reformation. Hal’s commitment [to] the traditional expectations of honour results in the betrayal of Falstaff’s hedonistic approach on life and his only endeavour is to please the man who had offered a pitiful excuse of love incomparable to what Falstaff had to offer: unconditional love. These examples of Hal’s superficiality also support Hal’s lack of sympathy for others. Hal’s cold behaviour towards others is shown in his hypocritical approach for Falstaff’s hedonistic [maybe use self-gratifying] attitude. Hal is unaware of his own form of intemperance: he strives to improve his own self-image at the expense of others. Despite Hal’s admirable traits as a respectable member of court, as a human being, Prince Hal’s amorality is quite apparent by the distinction of his actions. Lastly, despite Sir John Falstaff’s self-gratifying lifestyle, he seems to be the most moral character in Henry IV, Part one, although not wholly moral because as previously addressed, human nature is inept of utter goodness. Due to Sir John Falstaff’s philosophies, many have claimed to be fond of his self-indulging ways but admit the ridicule behind paying formal respect to such a person. Falstaff cleverly manipulates others for his own welfare; however, it is only in good nature. This is proven in Act III scene iii, when Falstaff distorts the situation of his debt to Mistress Quickly into one of an accusation of her being the thief of his â€Å"picked†¦pocket† [wasn’t he really pick pocketed? ](III. iii. 53), and more wittingly forgives her in the end as she goes to prepare his meal, intending no spite upon the hostess. Falstaff deceives, cowards [not an action; cannot be used in this senctense], drinks â€Å"of old sack† (I. ii. 2) and commits virtually every sin. Shakespeare masterfully moulds these negative aspects into unusual forms of virtue in Falstaff’s character by showing that Falstaff means no harm. In doing this, Shakespeare cleverly twists the faults upon the regal members of society by building the play upon the disputes between themselves; thus, showing the power of such subtle issues, barely considered sinful, causing â€Å"civil butchery† (I. i. 13), whereas the sinful ways of â€Å"Old Jack Falstaff† (II. iv. 72) has no such effect. Although Falstaff’s pleasure priorities may be rather farfetched, his â€Å"gift†¦is youthful irresponsibility, which must be cherished even though it cannot last† (p. xx). Falstaff’s commonly repeated idea that â€Å"young men must live† (II. ii. 90) emphasizes his belief in the value of youth ful irresponsibility and luxury. Shakespeare grants Falstaff the embodiment of human nature itself, excluding extreme wicked sins, leaving Falstaff’s childlike benevolence untouched; this is shown as he pompously states, â€Å"I have more flesh than another man, and therefore more frailty† (III. ii. 167-169). Falstaff serves as a bringer of human nature as he serves to foil all other characters therefore revealing everyone moral flaws yet remaining the most moral character due to his youthful benevolence. In conclusion, Shakespeare brilliantly provokes the audiences’ involvement in his plays by presenting them with intellectual trials to the mysteries of life. Because [r u sure that u want to start a sentence with that] absolute morality is unachievable, Shakespeare does not put forward a definite moral center in Henry IV, Part one. There will always be a balance of both positive and negative forces as the faults and virtues of King Henry, Prince Hal and Sir John Falstaff were discussed. This is very good. You explained your points well just a couple of minor mistakes but I think you’ll get a good mark. Sorry for not responding I was eating dinner sorry. Talk to you later ok. Bye Word Count: 1 189 Works Cited Shakespeare, William. Henry IV, Part one. Toronto: Bantam Books, 1988

Monday, January 6, 2020

Marriage Today. Marriage Has Different Meanings To Different

Marriage Today Marriage has different meanings to different people, as I embarked on this reaserch I was excited to hear the stories of the ones whom made it for so long. Prior to the interview I casually knew all of the individuals. One would assume all would have amazing love stories since all were wed for close to 28 years My general beliefs on marriage are probably more skeptical than most, I have been married twice and both were unsuccessful unions. Looking back on both marriages failed for different reasons, but the biggest commonality between them might be my views on the institution. I came from a family where my mother was married several times and even my grandparents had been previously married. This gave me a sense that†¦show more content†¦3) The daily struggle to cohabitate when there is no affection. In the begging, married life was very different. There was an intimacy and Common goals that drove the couple down the aisle. They had a son 27 years ago, and things too k a drastic turn. Dave’s wife, Deb no longer wanted a large family and hence the sex life slowly disappeared. This was devastating for Dave, who had built a huge home and had dreams of having a large family. Currently they are married and live together in a peaceful cohabitating life style. Their only son moved out 6 months ago, creating a bigger gap between the two. Many of the challenges that couples go through were avoided because Dave was a fireman and gone a lot of the time. Furtermore, Deb worked as a teacher and with their schedules they passed in the night frequently. Durning their late twenties, they were married and lived on hope and dreams that the two shared. During their thirties, Deb became pregnant with their only son and became despondent about the marriage. Soon after, Deb became an alcoholic unbeknownst to Dave, â€Å"Although marriage typically leads to decreased heavy drinking and alcohol problems, not all couples experience this buffering effe ct† (Rodriguez, Neighbors, Knee 2014). He had on many occasions crawled into bed smelling wine on her breath, but did not think much about it until the day she wasShow MoreRelatedMarriage and Symbolic Interactionism Essay1069 Words   |  5 Pages Marriage and Symbolic Interactionism Marriage continues to be a popular institution in the United States. Although looking at the statistics in regard to marriage today you can see how commitment to marriage is faltering. Due to over half of all marriages ending in divorce, the institution of marriage and what it represents is continually coming into question. In researching different theories in Sociology, the central idea of symbolic interactionism, and how we attach meanings to symbolsRead MoreWhy Do People Get Married? What Do Marriages Stand For? 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